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Dryden Wells

  • About
  • OBJECTS
    • Animals
    • Flat-Packs
    • Fusion Studies
    • Legs
    • Stacks
    • Tiles
    • vs. Series
    • select thesis works
  • WARE
    • Thrown & Altered
    • Slip-Cast
  • blog

Student hands applying a section of mosaic to the side of the concrete bench.  Photo by Michael Spooneybarger

Making a Mosaic Bench - A Class Project at the University of West Florida

July 23, 2018

During the Fall of 2016, I was approached by my supervisor and Director of the University of West Florida School of Art, Barbara Larson about how we, the School of Art, could get more public art onto the UWF campus and become more visible as a department.  After a few meetings and discussions with colleagues, we decided to create a Special Topics Ceramics Course for advanced students that would culminate in the creation of a student designed and made mosaic bench.    

In an effort to combine learning with the continued development and beautification of the UWF campus, my Spring 2017 / ART-3769: Sculptural Ceramics class used the students’ collective research of ceramic materials and glaze formulation to create a permanent mosaic bench.  Funded by UWF Office of Advancement, the bench was ultimately located on the West / NorthWest side of the Science & Engineering Building /Bldg. #4, as seen in the pictures below.

View fullsize Mosaic Bench.Arial View.1.jpg
View fullsize Mosaic Bench.Arial View.2.jpg
View fullsize Mosaic Bench.Arial View.3.jpg
View fullsize Mosaic Bench.Ground View.1.jpg

As a high-impact class, this curriculum gave students the experience of seeing first-hand the connections of ceramics and the arts with the fields of science, chemistry, math, engineering and design. Unlike traditional ceramic classes where students work on their own individual projects, this class provided an opportunity for the students to take ownership and pride in a group project that contributed to the betterment of their community in the form of public art. 

 

Class Overview

From the get-go, it was made clear with the students and the school that the purpose of this class was to provide students an in-depth and comprehensive understanding of kiln firing, ceramic materials, glaze chemistry and the history of mosaics .... the making of a mosaic bench should be merely a result of their learning.   Consequently, we spent the first half of the semester learning how to mix, test and apply the materials we had available in our classroom to make clay and glazes that were appropriate for mosaics and out-door sculpture.  Below are images of students working with their glaze test-tiles.

View fullsize  Kiln shelves full of student glaze test tiles.
View fullsize  Glaze Test-tiles being color coordinated.
View fullsize  Students enjoying the arrangement of there color tests.
View fullsize 731531745143_.pic_hd.jpg

Above: The bench design selected by committee. Design by  Madisen Pooton. 

By mid-terms, we had developed an outdoor clay-body for the bench and created a range of glaze colors and surfaces that we were able to adjust.  The students were also introduced to examples of historical and contemporary mosaics and asked to create their own designs based on the themes we decided on as a group.  Each student was ultimately able to submit a final design to be selected by a committee composed of the department heads of English, Science and Engineering, and the School of Art.  Once the design was selected, we spent the second half of the semester applying our research to the making of the tiles and finishing the mosaic bench.   

 

The Mosaic Process

After the bench design had been confirmed, the students spent the next class choosing 8 glazes from our previous tests that we would ultimately use for the project.  The concrete bench that had been delivered just a couple weeks prior, was then carefully covered with butcher-paper to create a template of the bench form.  We used this template to draw the bench design and lay on a table in the studio to place the mosaic tiles.  

View fullsize  A collection of glaze colors for the mosaic.
View fullsize  Students discussing glaze samples and the bench design.
View fullsize  Discussions about the mosaic color scheme and design.
View fullsize 551531745125_.pic_hd.jpg
View fullsize  Rounding the corners. Photo by Michael Spooneybarger
View fullsize  Students using butcher paper to create a template of the concrete bench.
View fullsize  The paper template was used as a guide under the mesh blanket that the individual tiles were first attached to.
View fullsize  Students working on the transfer of the mosaic design to the mesh blanket.

Next, we covered the template and drawing with clear plastic and then a mesh fabric.  We then used a silicone caulk to attach each tile to the design that had been transferred onto the mesh.  It was important to have the barrier of clear plastic so that we could easily separate the tile sections from the table and move them to our outdoor kiln area where the bench was located. 

View fullsize  A student placing tiles. Photo by Michael Spooneybarger
View fullsize  Arial view of students placing tiles.  Photo by Michael Spooneybarger
View fullsize  Unfired tiles being sponged prior to firing to soften and round the edges.  Photo by Michael Spooneybarger
View fullsize  Fired tiles ready to be unloaded from the kiln.
View fullsize  After caulk had been put on the bottoms of individual tiles, toy darts were used to pick-up and place them on the mesh backing.  Photo by Michael Spooneybarger
View fullsize  A student and me prepping the top of the bench with mortar. Photo by Michael Spooneybarger
View fullsize  A student placing tiles.  Photo by Michael Spooneybarger
View fullsize  A section of tile being lifted and placed on the mortared bench.  Photo by Michael Spooneybarger
View fullsize  Because the mosaic had to be cut into sections so that it could be lifted and placed on the bench, blue painters’ tape was used as registration marks so that each piece could be aligned correctly.  Photo by Michael Spooneybarger
View fullsize Ceramics Mosaic Bench-27.jpg
View fullsize  Photo by Michael Spooneybarger
View fullsize  Students and me grouting the tiles.  Photo by Michael Spooneybarger
View fullsize  An alternate view of students and me grouting the tiles.  Photo by Michael Spooneybarger
View fullsize  A student grouting the bench.  Photo by Michael Spooneybarger
View fullsize  Detail of grouted tiles before they were wiped clean.  Photo by Michael Spooneybarger
View fullsize  The day of installation!  Photo by Michael Spooneybarger

Because of the clear benefits that such a high-impact class provides for both the students and to the UWF campus, our plan as an art department was to make this same class a part of the annual Spring ART 3769 curriculum.   While I am no longer at UWF to teach this class, I do hope that this class has become a part of the SOA curriculum and is a project that the university has been able to continue to support.  

I am grateful for the opportunity to create and teach this class and hope that I can bring this experience and what I have learned with me to another program, university or workshop.  Many thanks to my UWF students, colleagues and community. 

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